One of the rarest and most sought-after vintage shirts in existence. Commissioned by Riverman, the promoters of the Nevermind tour, made 70 of these shirts, strictly for crew and inner circle.
All of them arrived in a single box. Mixed sizes. Some small, some large. Kurt Cobain’s is said to have been ripped to shreds during the tour. How many survived, let alone in wearable condition / sizes is completely unknown.
Year1991
Blank TagScreen Stars
SizeX-Large
StatusAvailable
Aphex Twin Mail Order
Electronic
Originally purchased via postal order through the 'On' 12-inch vinyl. The original owner received the shirt in December 1993, placing it among some of the earliest mail order shirts out there.
Aphex Twin merchandise could be obtained in a few ways: via an address printed on the reverse of selected record sleeves, through Rephlex and Warp mail-order catalogues, or directly from Aphex Twin himself, who was known to gift shirts to individuals who assisted with live performances and events.
The shirts were also available in short-sleeve and came in three colourways: black, green and grey. A couple different printing techniques were used for the graphics, with some variations rarer than others. Almost every known example was manufactured on a Screen Stars blank, although a handful of authentic exceptions feature different tags. In 1997, smaller-logo versions began appearing with black Aphex Twin tags, suggesting that these original mail shirts may have been produced over a three-year period.
Year1993
Blank TagScreen Stars
SizeX-Large
StatusSold
Alice in Chains Who Da Fuck is Alice
Grunge
Purchased by the original owner at Newcastle City Hall when Alice in Chains supported Megadeth in 1991. Several variants of this shirt are known, featuring different colour schemes and back prints, but this example appears to be among the rarest, seemingly produced exclusively for the European leg of the tour
A working catalogue of original tour, promotional and independently produced garments — researched, authenticated and recorded as artefacts rather than inventory.
Brunels is an independent digital archive specialising in original clothing connected to music and popular culture
Founded in 2023, Brunels sources, documents and sells significant tour, promotional and independently produced pieces, with a particular focus on music clothing from the 1980s and 1990s.
The archive records both pieces currently held by Brunels and those that have previously passed through the collection.
Our aim is to source directly from original owners, rather than continually recycling pieces already circulating within the market. This has meant finding pieces through former staff and crew, record shops, people who attended the original shows and industry employees.
The reason is simple: the story behind a piece can be just as important as the t-shirt itself. Sourcing from the people who were actually there can establish where a piece came from, how it was originally obtained and the context in which it existed - information that a tag or print alone can never provide.
As these pieces become more valuable and reproductions become harder to distinguish, provenance is becoming a necessity rather than a bonus. Knowing where a piece came from, who owned it and how it was originally obtained can often tell you more than the garment alone. Wherever possible, we preserve that history through original owners, photographs and other contemporary material before it is lost as pieces change hands.
merchandise was rarely produced with the expectation that it would still be collected decades later. These pieces were sold at shows, ordered through record labels, given to staff and crew, used for promotion or produced independently around the scenes they came from. Most were simply bought to be worn.
“Provenance is becoming a necessity rather than a bonus.”
Brunels is ultimately a changing collection. Pieces come in, pieces sell, and others may remain for years.
The majority of pieces marked Available are genuinely for sale. A handful of particularly scarce pieces are ones I strongly believe in and am in no rush to move on, although serious offers can still be considered.
Sold pieces remain in the Digital Archive, allowing Brunels to become a record of the collection over time rather than simply a snapshot of what happens to be available today.
I am always interested in hearing from original owners with music merchandise to sell, whether that's a single shirt that's been sitting in a wardrobe for thirty years or a larger collection.
Brunels exists to find significant pieces, trace the stories behind them and preserve that history as they continue to change hands.