One of the rarest and most sought-after vintage shirts in existence. Commissioned by Riverman, the promoters of the Nevermind tour, made 70 of these shirts, strictly for crew and inner circle.
All of them arrived in a single box. Mixed sizes. Some small, some large. Kurt Cobain’s is said to have been ripped to shreds during the tour. How many survived, let alone in wearable condition / sizes is completely unknown.
Year1991
Blank TagScreen Stars
SizeX-Large
StatusArchived
Aphex Twin Selected Ambient Works Promo
Electronic
The the earliest Aphex Twin shirts in existence, produced to promote Richard’s debut studio album.
Printed in extremely limited quantities, only a handful of authentic examples have ever surfaced online. The rumoured production run is around 50 shirts, according to R&S Records founder Renaat Vandepapeliere, although I’m not convinced that figure is entirely accurate.
This example was purchased in a record shops in the UK, circa 1992.
Year1992
Blank TagHanes
SizeX-Large
StatusArchived
Lamefest UK
Grunge
Held at the London Astoria on December 3rd 1989, the Sub Pop showcase brought together three of the label’s Seattle bands.
Nirvana opened the night, bringing their first European tour in support of Bleach to an end. After weeks of playing small clubs across Europe, the Astoria was a considerable step up and was their biggest show at the time.
The event came at a pivotal moment for the Seattle scene, with Sub Pop deliberately showcasing its bands to a British audience just as interest in the region’s music was beginning to grow. The show helped establish Nirvana in the UK well before the wider mainstream success that would follow a few years later with Nevermind.
The shirt was sold exclusively at this concert, alongside a hoodie variant. With approximately 2,000 people attending the show, surviving examples are extremely scarce. More than three decades later, it remains an important piece of early Sub Pop and Nirvana history.
Brunels is an independent digital archive specialising in original clothing connected to music and popular culture
Founded in 2023, Brunels sources, documents and sells significant tour, promotional and independently produced pieces, with a particular focus on music clothing from the 1980s and 1990s.
The archive records both pieces currently held by Brunels and those that have previously passed through the collection.
Our aim is to source directly from original owners, rather than continually recycling pieces already circulating within the market. This has meant finding pieces through former staff and crew, record shops, people who attended the original shows and industry employees.
The reason is simple: the story behind a piece can be just as important as the t-shirt itself. Sourcing from the people who were actually there can establish where a piece came from, how it was originally obtained and the context in which it existed - information that a tag or print alone can never provide.
As these pieces become more valuable and reproductions become harder to distinguish, provenance is becoming a necessity rather than a bonus. Knowing where a piece came from, who owned it and how it was originally obtained can often tell you more than the garment alone. Wherever possible, we preserve that history through original owners, photographs and other contemporary material before it is lost as pieces change hands.
merchandise was rarely produced with the expectation that it would still be collected decades later. These pieces were sold at shows, ordered through record labels, given to staff and crew, used for promotion or produced independently around the scenes they came from. Most were simply bought to be worn.
“Provenance is becoming a necessity rather than a bonus.”
Brunels is ultimately a changing collection. Pieces come in, pieces sell, and others may remain for years.
The majority of pieces marked Available are genuinely for sale. A handful of particularly scarce pieces are ones I strongly believe in and am in no rush to move on, although serious offers can still be considered.
Sold pieces remain in the Digital Archive, allowing Brunels to become a record of the collection over time rather than simply a snapshot of what happens to be available today.
I am always interested in hearing from original owners with music merchandise to sell, whether that's a single shirt that's been sitting in a wardrobe for thirty years or a larger collection.
Brunels exists to find significant pieces, trace the stories behind them and preserve that history as they continue to change hands.